The light became dark because the five actors took the space around the table on the stage while the art gallery in New York became a theater at night. Wine and water and water were sitting to witness the premiere of Matthew Gasda’s latest drama based on the exilation of Sam Altman as an open -Alai CEO in November 2023. I flowed a close space.
This play fixes the event after notifying Altman that the former Chief Scientist ILYA SUTSKEVER was fired. This is a decision that CEO is in charge of AI’s safety and abused and poisonous behavior. Despite the clear research in Gasda’s depiction of the night, the playwright is not a documentary for Techniccrunch, but a smaller philosophical question of AI’s safety and consistency. He said to the universe to use the settings.
Humans have created myths and traditions about the next great invention of mankind and the risks of pursuing them. As Prometheus steals the fire or Oppen Hymer splits atoms, humankind cannot resist the temptation of the invention itself. With Gasda’s play, art is currently emphasizing philosophical discussions on rapid technological innovation. Technology and their baron become an eraist.
“Humanities, art, we can say something about this,” Gasuda told TechCrunch. “We have no teeth without teeth, but they don’t have teeth because they have the right to represent this world like anyone else.”
In the Gasda play, the company is called Mindmesh, and the selfish and childish CEO is named Seth.
The first act is to discuss the merits of the exilation of the board of directors, what should be the next step, and whether the CEO is right or not to pursue such a society in such a society. It occurs in Seth’s “War Room”. The second act is performed in the Mindmesh officer room, and the newly expelled Seths may retaliate to those who betrayed him, and “I intend to be wiped out by competitors.” It shows an overview of various fears.
The central tension of the play is played on the stage of today’s world. AI’s existing threats and their existing promises.
“I was fired to cause a miracle.”
Gasuda says he wrote 35 drafts in this play. He previewed in August for the early audience. After a lot of travel to San Francisco and many fuel fuel lighting sessions, he was premiered in New York until this weekend and arrived in the Doomers version in San Francisco in March.
Gasda, known for writing and supervising “DIMES SQUARE” and “ZOOMERS”, said that he wanted to understand the prototypes of the character and the psychology of the group of people who do not always engage in self -reflection.
As a result, there are 10 casts, and half of them are based on real people, such as former Chief Technicist Mira Murati and Openai CEO Sam Altman, such as GREG BROCKMAN, a co -founder and president. Murati served as a provisional CEO during the executive shake -up. She left the company in September 2024 and started her company.
Other characters are based on Helen Toner and Adam Dangero. This is a member of the two former board members who voted to drive out Altoman. And even the ELIEZER YUDKOWSKY is a researcher who called for closing Openai before the world ends.
Gasda said that Seth, a character based on Altoman, was probably the most true in his depiction, but he also left the fictional depiction of the characters recognized by the Bay Areas. The future of the ruthless VC AI who thinks about pornography is the founder of the newly built GEN Z billionaire and all lawyers of Stanford.
“I don’t know who knows what has happened to the character and what the AI company’s office is, extracting the faithful and realistic sense of reality to challenge. Gasuda wanted to make a person in realistic and real.
The question of the cast discussion is appropriate. The development of AI will be exciting so that we can win. When the development is slow to enable better safety and consistency. Do I need to shut down completely to protect humanity?
Through these discussions, we see the prototypes of each character. If you have the choice of victory and moral, choose the altoman character Seth to win.
He declared to the board that he had fired him “to cause a miracle”, and alignment claims that it will be “insufficient use of sacred resources.” He added that it is a human being to pursue outstanding, and MindMesh is a “immune system” in the world, and is a merciful American AGI that protects us when the “bad” AGI becomes fraudulent. 。
“All you need to do is out -of -speaking and engineering,” says Seth. Characters based on Mira Murati and Greg Blockman mainly support Seth. Alina, a safety ethical character, says, “You make it sound like a bottle genie.”
Gasda sprinkles a dry humor throughout “Doomers”. Otherwise, it reduces the atmosphere of the nervous theme. He also introduces humor by capturing the nuances of Silicon Valley culture. The multi -environment and ketamin are exposed several times, and at some point, the character takes mushrooms casually. There is a reference to Waymo Robotaxis, and at some point the character states, “I know that drinking is low, but I really need a drink.”
Safety questions remain
The events depicted in this play were held almost 15 months ago, and conversations about AI have already changed in control of safety.
Altman immediately returned to power after threatening to quit MASSE if Openai engineers did not resurrect. Later, the new boards that Openai are used to shifting into a profit structure are integrated under CEO. Jan Leike, a joint lead of the super alignment team that has been abolished by SUTSKEVER and Openai, has been exiled. Researchers who focused on other safety focus on raising concerns about AI labs have also left.
It does not hurt Openai.
It is reported that the company has raised a $ 40 billion round of $ 340 billion, but President Donald Trump has been enthusiastic about its new weapon competition with China, and new competitors like Deepseek are rings. When you enter, we promise to protect AI from restrictions. In short, the innovation of AI is speeding up instead of deceleration, as the Seth character wanted. The question that everyone is waiting for for the answer is whether this is a good thing.
“It’s ugly to build a god,” says arena, an ethics of the play. “We are very ugly, it’s based on us.”
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