The 11th Event Photo Awards 2025 took place last week at 66 Portland Place, Riba’s home, just days before the venue closed for a multi-million pound renovation.
250 guests perused an extensive gallery of over 130 shortlist shots printed by Visions Group, enjoying the Catering of Blue Strawberry.
The competition was established by Staffing Agency CEO Philip Atkins to highlight the importance of great photography to the nutrition of the event industry. We have collected over 2,300 images from photographers from over 30 countries from events held around the world.
Atkins said: “Photos are so much more to amplify, justify and maintain the events industry, which is an increasingly important component of the marketing budget, not to mention the economy and society as a whole. It has generally been agreed that competition is not yet the toughest, as it is an image-rising, appealing, moving image that encapsulates the importance and impactful image.
The overall winner’s trophy and £1,000 check were won by Luke Dyson, the first person to win two awards (see image in the main article).
His stylish “behind the scenes” category winner was popular with many industry-leading judges on the panel, as well as editors of trade and photography magazines.
The image, entitled “Singularity,” shows the lighting engineer at Vision Factory, a Barcelona-based event manager, testing the visual display at the Mdlbeast SoundStorm Festival in Riyadh the night before the opening day, highlighting the commitment, attention to detail and the technical investment needed to create an ongoingly influential event.
The emotionally provocative overall runner-up shot came from an increasingly important brand activation and experiential events category.

David Parry was captured in Westfield White City London for his campaign against living miserable (serene). There, the Suicide Prevention Charity presented an installation for her late birthday, consisting of 6,929 balloons of hope. The photo was also awarded the People’s Choice Award, voted by guests attending the award event.
The two overall acclaimed images showed great moments at contrasting musical events.


The image of Victor Frankowski includes a frenzied fat boy who leads his dance at the annual pool party at the All Back To Minehead Festival. Dutch photographer Martin Horus captured a huge flame erupted from the towering structure at the Defqon.1 Festival in the Netherlands, giving the crowd a deep orange glow.
The Best Portfolio Award was recognized after finishing in three of the 18 core categories and was awarded by Andrew Billington, who won the Christmas Party and Seasonal Event Class for a Fun Shot of Camels.

Second year Andrew Pontney picked up the best amateur trophies, but this year he shared his admiration with Will Anthony Black.

Jack Bosket has won the Royal Ounce category for the third year in a row.

Graham Hill, director of competition and events, said: “We are grateful to our sponsors and event partners to enable competition and make the awards event extremely enjoyable.











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