Director Danny Boyle became famous for filming the apocalyptic classic “28 Days After” on Canon’s digital camera, making it easier to capture the abandoned London creepy scenes, giving the film’s fast zombies awful immediacy.
To create a sequel decades later, “The Weekend in 28 Years,” Boyle turned to another consumer technology: the iPhone. Boyle told Wired that by using a rig that can hold 20 iPhone Pro Max cameras, the film-making team created “basically poor man bullet time” and captured brutal action scenes from various angles.
Even when he wasn’t using the rig, Boyle (who once directed the biopic of Apple co-founder Steve Jobs) said the iPhone was the “major camera” of the film, albeit after disabling settings such as auto-focus and the addition of special accessories.
“By shooting with an iPhone, I was able to travel without a huge amount of equipment,” Boyle said. The iPhone “allowed it to move quickly and lightly into rural areas where it wanted to maintain a shortage of human imprints,” as the team filmed in parts of Northumbria, which it thought would have been “a thousand years ago.”
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